DESIGNWORKS Vol.23

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1.ホール Hall2.展示スペースA Display space A3.収蔵庫 Treasury4.展示スペースB Display space B5.展示スペースC Display space C6.倉庫 Storage7.設備スペース Machine room日本三禅宗のひとつ、黄檗山萬福寺の境内の歴史的景観に溶け込む外観と、季節・気候・時間によって移ろう朱色の光に包まれた、時空を超えた仏教美術にふさわしい展示空間をめざした。数多くの重要文化財が建つ伽藍の中で、瓦色の外装材で包み隠した文華殿が、土塀と樹々の間に隠れてひっそりと建つ。建物の四周には地窓を設け、拡散された自然光を建物内部に導き入れる。朱色の布で包まれた展示空間の足元には、特殊形状の光ダクトで屈折を繰り返した自然光が布の背後に忍び込む。布にはプリーツ加工が施され、裏面に金属を蒸着することで、方位や時刻、天候や季節によって刻々と光の様相が移り変わる。(森田 昌宏+足立 裕己)黄檗山萬福寺第二文華殿OBAKUSAN MAMPUKUJI BUNKADEN 2Seeking a unique place唯一無二の場所を求めてOwner:Obakusan Mampukuji Bunkaden 2Location: Ugi-city, KyotoMain Use: PavilionDesign work: Takenaka Corporation·Architects: Masahiro Morita, Yuki Adachi·Structual:Naomiki Suzuki, Hideto Tanaka·M&E:Kousuke Nishibata, Shinichi NishikuboTextile Design : Yoko Ando Design-Yoko AndoLighting design : AZU Design studio-Toshio TamuraConstruction work : Takenaka Corporation, Shimooka CorporationSite manager : Toshiyuki YamamotoSite area: 58471.03 m2Building area: 238.09 m2Total floor area: 247.99m2Construction: Reinforced concrete, steelNumber of stories:2 floors above ground plus 1 basement floorsConstruction term: July 2011 to February 2012建築主:黄檗山萬福寺第二文華殿所在地:京都府宇治市主要用途:展示館設計:竹中工務店・建築:森田昌宏・足立裕己・構造:鈴木直幹・田中秀人・設備:西端康介・西久保進一テキスタイルデザイン:安東陽子デザイン‐安東陽子照明デザイン:AZU設計工房‐田村利夫施工:竹中工務店・下岡建設共同企業体・作業所長:山本俊之敷地面積:58471.03㎡建築面積:238.09㎡延床面積:247.99㎡構造:S造,一部RC造階数:地下1階 地上2階工期:2011.7~2012.2The aim was to produce an exhibition space appropriate for Buddhist art that transcends time and space, wrapped in a bright red light that changes with the seasons, weather, and time, and that would melt into the historic landscape of the grounds of Manpuku Temple on Mount Obaku. This is one of the three Zen sects in Japan.Bunkaden, finished by ordinary roof tile color within the monastery where there are countless important cultural assets, stands concealed within an earthen wall among trees. Windows in the four sides of the building introduce diffused natural light into the interior of the building. At the bottom of the exhibition space which is covered with a bright red fabric, natural light that is repeatedly refracted in specially shaped light ducts is fed in behind the fabric. The fabric is given a treatment to give it pleats, and by vapor deposition of metal onto its rear surface, the aspect of the light changes with position and time, and with weather and season. (Masahiro Morita+Yuki Adachi)SITE PLAN S=1:9000SECTION S=1:8001F PLAN S=1:800453217456Works12